Matt dillon gay
The Time Matt Dillon Ruined My Chance of Hooking Up with 7 Warm Models
When you're the only male in a limo complete of fashion models hitting the town to get laid, you don't really stop to wonder how it all happened. You just try and relish it. But because you're wondering, I'll fill you in…
A decade or so ago, I wrote a newspaper column in which I tried various tasks I clearly wasn't qualified to do; it was fancy "Dirty Jobs" meets "Jackass." One of my first jobs was a backstage dresser at a fashion runway display. I got the gig thanks to a recommendation by a model I'd once written about. It also helped that I pretended to be flamingly gay.
Once my inability to identify basic items of female clothing (and my drooling) made it clear that a prank was afoot, some of the models—the few who weren't incensed—admired my chutzpah and invited me out for what was, I assumed, a standard night on the town for them.
Because it wasn't a "typical" night for me, a 5-foot-5 man with no money, I rehearsed pretending to be someone who wasn't impressed with the very real possibility of living out every sexual fantasy he'd ever entertained to this signal. I also purchased
Matt Dillon
Dillon was born Matthew Raymond Dillon on Feb. 18, 1964, and raised in Mamaroneck, NY. His artistic-leaning family including a father who painted portraits and a pair of uncles who illustrated the eminent comic strips "Flash Gordon" and "Blondie." But by the time he was a teen, Dillon seemed unlikely to follow in his family's footsteps and was cultivating an image as a class-cutting back-talker when talent scouts stumbled across him while combing the Horrocks School in seek of an unknown talent for the film "Over the Edge" (1979). During his official audition, the 14-year-old made a strong (if abrasive) impression and producers knew they had found the right kid to play a troubled teen in Jonathan Kaplan's powerful production. Following his commanding debut in the indie, he was swiftly cast in two mainstream features, playing a educational facility bully who experiences an eventual comeuppance in "My Bodyguard" (1980) and the object of Kristy McNichol's teen sexual desire in "Little Darlings" (1980). With his budding movie career an attractive alternative to suburban high school existence, Dillon left educational facility to focus on acting and shot to stardom as the charismatic but confused lead of a tri
What happend to Matt Dillon?
I just happened onto this site and found this thread so I don't know how to respond to a specific share but to answer share 41. I'm not in the industry. So I can't tell you why Matt hasn't been in much the last rare years. And how carry out you ask an star that question? Most actors are neurotic about their career and he's an Aquarian so double that.
I can only guess from things I know. He was not represented by a big time agency in the beginning and for many years after. His manager only represented Matt and Vinny Spano (yes, they were friends). And Matt always remained NY based so he didn't really network as much in LA. Prefer everyone else who starts young he tired of the teen films (even if they were Francis Ford Coppola) and went Indy with Gus Van Sant. Movies like Drugstore Cowboy seemed to appeal more to him than mainstream. Maybe he should've milked his fame more then. After Crash he dedicated a lot of time to the production he eventually starred in and directed.
It doesn't feel like he's hurting for money. HIS parents didn't rake him over and they invested well. Again, I don't know his financial details but he's hasn't been kicked out of a trailer par
Short Profile
Name: Matthew Raymond Dillon
DOB: 18 February 1964
Place of birth: Fresh Rochelle, New York, United States
Occupation: Actor, Film director
Mr. Dillon, what does the truth look enjoy on screen?
Well, my favorite pos is verisimilitude. That means the appearance of truth. And that’s what we’re doing when we make films, we’re making something that appears to be something we recognize, but it’s not the truth. It’s not valid , it’s fictional. But it appears that way! And that is a very powerful thing because it makes us feel. It is an illusion that gives you a very real emotion.
Do you feel like you utter your truth through the characters that you portray?
No. There’s the characters I play, and then there’s me, right? I don’t think that getting into characters makes me more comfortable psychologically or anything, I think, quite simply, I like to perform. I don’t rely on the fictional characters I’m playing to give me any kind of solace in my life, you know? When I’m playing a role, I personalize things but I’m really just interpreting.
“Everyone has their reasons. And that’s nice to remember when you’re trying to figure out your character.”
There was a New York Ti